“Honey,” my mom whispers, “Larry's got a buck knife.”

Our neighbor Larry lives across the street. On weekends, he tends to his cactus garden in flip-flops and a skin-colored Speedo. And coco butter – lots of coco butter.

My mom squints through our sheer curtains.

“Honey,” she whispers harder. “Larry's lost his mind.”

My dad flips through the Chronicle, bifocals on the tip his nose. When it comes to Larry, my dad has heard it all, except for maybe the buck knife.

Larry is heaving the buck knife into his garage door. Every ten seconds or so, a loud thud echoes throughout the deserted neighborhood.

We watch Larry.

He does look good in the Speedo.

My mom sighs. “That poor lady.”

*

Crazy Larry lives with his three sons. His boys have big, giant brown eyes that never seem to blink – a trait they inherited from their mom, who moved across town with the girls about four years ago, right about when Larry started making adult comments to his daughters. Sometimes the boys stand over there and look at us with these giant brown eyes, these eyes that don’t blink. They don't say much.

*

Crazy Larry has traveled around the world to design giant power plants. I don't think he does that anymore – my mom says they made him stop – but he has the memories. From each of his jobs he brought back mementos, including lots of wooden masks from Africa. They're on his walls, some of them looking angry, some of them with no expression at all. He likes masks, I figure. He's got so many them over there.

At night, Larry turns off the lights and sits on his covered porch facing our house, smoking and drinking. We can't see him, just the glowing red ember of his tobacco pipe.

I wonder what he's thinking about there in the dark.

*

My mom watches as Larry throws the knife.

“You think I could kill him, John?”

I roll my eyes. My mom loves what-if games.

My dad looks up from the paper. “You could kill him, maybe, but could you get away with it?”

My mom watches as Larry throws the knife again. “I'd get him at night. Just use a gun, then run back over here and hide it. No one would know.”

My dad peers over the Chronicle, grinning. “Yeah? And what am I supposed to say when the cops start asking questions?”

My mom turns and mocks a frown, fists on her hips. “What are you supposed to say?” She pouts. “You're supposed to say I was with you the whole time.”

My dad tosses the paper aside, beaming, and stands up. “Oh, I am, huh?”

My mom comes to him. “And that's exactly what you'll do.” She wraps him up in her arms. “You're gonna tell them I was with you the whole time.”

My dad kisses her. “You know I could never let Crazy Larry – his violent death or otherwise – get between us.” He kisses her again, a little longer, and they laugh.

I hate it when they kiss in front of me. I roll my eyes, turn and peer through the sheers one last time. Larry has thrown his knife so hard he has to plant a foot on the garage door and yank it out with both hands.

*

I'm pretty sure Crazy Larry is sweet on my mom.

When I walk by, he'll say things like, “Say hi to that mom of yours, okay?”

His eyes twinkle when he talks about her.

My mom says Crazy Larry thinks he's God's gift to women, due to his power-plant smarts and Speedo body – and that he couldn't be more wrong. “They don't say 'tall, dark and psychotic,' do they, sweetie? They say, 'Tall, dark and handsome,' like your dad.”

One time, in the middle of a Tuesday, Larry trots over to help my mom unload our groceries from the car. My mom won't even look at him. She just stares at the groceries and says, “Oh thank you, Larry, but we're fine.”

Crazy Larry narrows his eyes as he backs away. “Any time, Judy.” He gives her a long look, from head to toe, like I'm not even there. “Anytime…anyplace.”

My mom never looks up.

*

My mom always ignores Crazy Larry. Sure, she'll gossip about him with my dad, and sure she'll guess what kind of bad things he's done, even wondering if he's got buried bodies behind his house. She'll walk into the kitchen and announce, “Larry's making flames with a can of WD40.” But to his face, she'll ignore him.

“Never reward attention from a crazyman,” she explains.

“Do you think Larry likes you?”

She fails to hide an amused grin. “Maybe,” she allows, “which is even more reason to act like he doesn't exist.”

“Except when you're spying on him from the dining room.”

She smiles to herself.

*

The next day my mom whispers, “Honey, you gotta see this.”

From the other room, the newspaper shuffles.

Larry is wearing his skin-colored Speedo, army boots and dark sunglasses. He's got a samurai sword in his hands, and he's studying his garage door. My mom and I glance at each other and grin.

He heaves the sword, and it sinks deep into the garage door with a loud crack, vibrating hard.

My mom yelps a little too loud.

Larry turns and squints at our house.

“Well,” my mom whispers, and backs away, “time to get dinner going.”

She leaves and I peer through the sheers again. Crazy Larry is staring at me.

*

A week later the “Check Engine” light flashes on the dashboard of my mom's Chevy.

At the dealership, the waiting room is cold, grimy and barren. We sit and wait as the mechanics take turns coming in from the garage to lean against the counter, page through catalogs and stare at my mom. The biggest mechanic, this man with a small forehead and a mouth that hangs open, doesn’t even look at the catalogs; he just stands there and stares, snorting over and over, like he’s trying to get her attention.

My mom never looks at him. She’s paging through a Sunset magazine.

Finally he says, “Ma’am, you mind if I give your youngin’ a little tour of the back area?”

Slowly, she takes my wrist. “He needs to stay here.”

He snorts, looks her up and down, and then glances at me. “I got pong in my trailer out back.”

My mom finally looks up at him and forces a smile. “He needs to stay with me.”

“You like pong, little fella?”

I look at my mom. “I better stay here.”

Snort. “Maybe we’ll get together some other time.” He turns and lumbers back into the garage.

I look up at my mom. She rolls her eyes as she turns a page. “You think we need to find a new auto garage, kiddo?”

Inside, I feel weird. “Maybe.”

“Your dad likes this place.” She flips a page, hard. “Your dad’s getting an earful tonight.”

Finally, the manager comes back to the office with a crooked grin and a leer in his eyes, insisting the light is flashing because of an “intake valve alignment irregularity,” which will cost almost $300.

My mom sags her head. My parents always worry about money.

The big guy and another mechanic saunter in as the manager gives her the crooked smile. “You see, m'am, the intake valves are crucial to the integrity of the engine; they maintain alignment with the fuel injection intake switches and their responsiveness to the sub panels.”

The mechanics smile at each other.

My mom sighs again. “Alignment with the what?”

The manager, his hair like a golden helmet, suppresses a grin. “Fuel injection intake switches.”

I inch closer to the mechanics.

After a pause, my mom says, “I just brought the car in two weeks ago.”

“Well, sometimes these things come in waves.”

My mom steps away, pulls her hair back and looks out the window. The men devour her, looking her up and down. When she returns to the counter, she pains, “Okay.”

“You're making the right choice, ma'am.” The manager leans forward, forcing a serious look. “It's important to get this fixed. That's why the engine light went on.” He waits a second, bites his lip. “A pretty little sweetheart with young ones?” He nods to me. “You don't wanna end up broken down on a road…” He pauses, studies her mouth. “… all alone.”

My mom looks away.

I slip closer to the mechanics. The big one whispers, almost laughing, “Another score from the Sucker Light.” He releases a quiet squeal and slaps a low-five with the other guy. “Sucker Light always delivers.”

The engine light doesn't look like a sucker to me.

*

We leave our Chevy at the dealership, so the big mechanic drives us home in one of their cars. On the drive home, no one says a word – the mechanic is wheezing hard, and I find myself staring at his whiskery jowls. His name tag – “Ed” – is stitched into his baby-blue shop shirt, which is darkened by massive sweat stains around his pits. Tattooed on his right forearm is a reproduction of the name tag, and I realize he must really like his name. I wish I liked my name that much.

Ed keeps glancing at my mom, a gleam in his bloodshot eyes, and my mom keeps sliding closer to the passenger-side door. After a while, he snorts louder than I've ever heard anyone snort, and glances at my mom, an eyebrow arching. My mom looks out the window.

Ed pulls a hard left, and suddenly we’re headed out of town, into the country.

“What are you doing?”

Snort. “You live this way, you said.”

“No, we’re in town. I told you – we’re on Walnut.”

Ed isn’t turning around. “I know a faster way.”

My mom tenses. “You need to turn us around now.”

Ed forces a chuckle, keeps driving.

My mom stiffens, clutches her purse closer. “Ed,” she warns, “you need to turn us around right now.”

Ed ignores her, flips on the radio. The Eagles.

My stomach tightens, and suddenly I want my dad really bad.

“Ed.” My mom reaches inside her purse. “Last warning.”

He glances at her and lets off the gas. We coast onto the side of the road, the sound of gravel crunching under rubber. We’re surrounded by hilly pastureland, and there is not another soul in sight. No one says a word as Ed gazes at my mom and my mom glares back.

“Ed, take us back into town.”

Snort. “But I know a shortcut.”

“No you don’t, Ed. This is the opposite way, and you know it. You need to turn around right now.”

They stare at each other for a real long time.

Finally, Ed pulls us onto the road and makes a U-turn. He’s sighing. “Just wanted to show you my special place.”

My mom seems like she’s about to cry, but she doesn’t.

I feel the same way, and I do.

*

When we finally pull up to our house, Larry is sitting on his porch. I can feel him watching us.

My mom bolts out of the car, opens my door and pulls me out. Ed looks at her one last time and pulls away.

Larry watches.

My mom has her back to me as she walks to our front door. “Why don't you play out front, sweetie? Mommy needs to call Daddy.”

I glance at Larry, and he's waving me over.

I wipe my nose and look to my mom, but she's already in the house.

*

“Hi, Larry.”

He smells like coco butter and pipe tobacco. He nods to where the car was. “I know that individual. What's he doing with you and your mom?”

I sniffle. “He's from the dealership.”

Larry gazes into space.

“Our engine light went on.”

Slowly, he nods.

I make a long sigh. “It's gonna cost three-hundred dollars.” After a long pause, I add, “That guy called it the Sucker Light.”

Larry squints into space. “Ed said that?”

I nod. “I'm not sure what that means, Sucker Light.”

“Don't worry about that, Teddy.”

“They didn't want my mom to hear them.”

Larry examines his fingernails – they seem perfect. I stand there and watch him, wondering if he's really crazy or just different, or if that’s the same thing.

“He tried driving us into the country,” I say, my voice suddenly cracking. “My mom almost cried.”

Larry squints into space for a long while, then forces a weird smile, his mouth just pretending to be happy, his eyebrows arching. Slowly he cocks his head to me.

“The scent of bacon frying in the wild.” He widens his eyes, really trying to smile. “Does that affect you, Teddy?”

I look at him. “Affect me?”

“You see, Teddy, bacon scent in the woods drives me nuts.” His arms and legs seem to tighten. “That scent is so arresting, so powerful, so mouth-watering, it just shuts off my frontal lobe, if you will, the evolved part of my brain.” I look into his eyes, and I realize they’re nice-looking eyes. “The animal takes over, and all I know is that I must eat that bacon.” He pauses. “That I must have my way.”

I don't know what to say. After a long weird silence, I offer, “I like bacon.”

He nods. “Yes, well you see, Teddy, I think I smell bacon.”

*

If Crazy Larry smells bacon, he sure has an odd way of showing it.

Larry spends the rest of the afternoon going back and forth to stores, each time unloading things like rebar, chicken wire, twine, propane canisters, foundation blocks, cotton balls, duct tape, several sealed buckets of dark liquid, two car batteries, three jumper cables, a roll of fabric, an ironing board, a hacksaw and a case of Budweiser. In the garage, he stands at his workbench and pokes through a bunch of Walgreen's bags as Alvin and the Chipmunks sing “Pop Goes the Weasel” on his tape player – I love Alvin and the Chipmunks, and I decide that anyone who loves them, too, can’t be that crazy.

I walk up his driveway as he pulls out can of shaving cream, a jar of Vaseline and two cans of WD40. On the shelf above the workbench, I notice a black handgun placed beside a can of wood stain. On the other side of the can is one of his African masks – it has big angry eyes and long, sharp teeth.

My mouth falls open.

Larry notices me.

Finally I manage, “Are the boys around?”

He shakes his head no. “Larry needs some time to himself, Teddy.”

I back away.

Alvin and the Chipmunks blare from Larry’s garage.

Around around the mulberry bush,

The monkey chased the weasel

The monkey thought it was a joke,

Pop goes the weasel

*

I’m in the dining room, watching Larry.

My mom is on the phone.

Larry has crawled into the back of his station wagon.

“It was entirely inappropriate,” my mom says.

Larry is measuring the windows with a tape measure.

“I was very concerned.”

Larry sits there and stares into space.

“Well, to be quite honest, I don’t care if you’ve known him for years. That has nothing to do with this.”

Larry is now staring at his fingernails.

“No, the fact is, he was a few seconds away from becoming a kidnapper.”

Larry scrambles out of the station wagon and bolts for the garage.

“Well, I appreciate that, but I have called my husband.”

When my mom comes into the dining room, she pulls me to her, keeps me there and gazes at Larry’s house. She forces a happy voice. “You doing some good Larry-watching, honey?”

I look up at her. “Larry smells bacon.”

My mom frowns. “Bacon?”

Larry trots out of the house in tight jeans and a loose collar shirt. I don’t think she realizes it, but my mom’s eyes widen as she watches him jump into the station wagon.

I ask her, “Do you really think he’s a crazyman?”

It looks like Larry has fallen into another trance.

“Well, maybe.” She scratches my head, softly, like she’s been doing since I was very small. “But maybe the thing is, we can consider Larry our crazyman.”

*

Later that afternoon, I’m kicking the soccer ball against our garage door when Larry pulls up in his station wagon. I stop and watch as he backs the car into his driveway; the back windows are covered by cardboard. He gets out, glances at me and opens his garage door.

I keep watching.

Larry returns to the station wagon, lowers his head and glares at me.

Suddenly I want to go inside.

“Bye,” I say.

“Yes, that’s right,” he says. “Bye-bye.”

Inside, my mom is making meatloaf.

I stand in the dining room and watch as Larry backs the station wagon into his garage. A few seconds later, he stands under the garage door and looks around one last time before pulling it down behind him.

It takes hours before I have the guts to go back out there.

*

It’s getting dark as I stand outside Larry’s garage.

There’s lot of noise in there. I hear hammering, metal rustling and heavy breathing. There’s electronic buzzing and snapping, too.

And someone is moaning.

I step closer and hear a faint trace of Alvin and the Chipmunks. It’s “The Witchdoctor,” the one where the chipmunks dance in tribal masks. I inch closer to the door.

I told the witchdoctor, I was in love with you

And then the witchdoctor, he told me what to do

He said,

OO EE OO AH-AH ting-tang walla-walla bing-bang

OO EE OO AH-AH ting-tang walla-walla bing-bang

I creep closer to the side of the door, where a slice of light escapes from the garage. I hear something wet hitting the floor, then another moan.

I creep a little closer.

Another moan.

I step closer.

Alvin and the Chipmunks.

I creep closer to the light and peek in. From a weird angle, I see Larry dancing around in his tribal mask, his knees kicking high, his arms flailing, his mid-section swirling.

I can’t see the other side of the garage, but I hear moaning.

I told the witchdoctor you didn’t love me true

I told the witchdoctor you didn’t love me nice

And then the witchdoctor, he gave me this advice

He said,

OO EE OO AH-AH ting-tang walla-wall bing-bang

I’m light-headed, and all I know is, I want to go home.

*

That night my mom and dad talk long and hard about everything. My dad looks at me, shakes his head and snaps at her, “Next time, just call me.”

My mom tells me to go play out front.

It's completely dark. No one else is outside; they're probably all watching Eight Is Enough, which is what I'd be doing. I walk around in front of our house, kicking pebbles, when finally I can’t resist looking across the street.

It's dark over there. On the porch, an ember fades.

I hear a muffled groan coming from his garage, followed by faint traces of Alvin and the Chipmunks.

Now, you’ve been keeping love from me just like you were a miser

And I’ll admit I wasn’t very smart

So I went out and found myself a guy that’s so much wiser

And he taught me the way to win your heart

I bite my lip. I don’t want to look that way.

“Teddy.”

Another muffled moan from the garage, then an electronic buzz-snap.

“Yeah?”

The ember glows. “Come here.” His voice is strong, like he’s not asking.

Wet squishy noises echo from the garage.

The ember fades.

I walk across the street, but I still can’t see him.

“Larry?” I step closer.

Still, nothing. Only darkness.

“Larry?”

The ember brightens, and finally I see Larry. He’s sitting there on the porch wearing a baseball cap, and he’s staring into space. Stitched neatly to the front of the cap is Ed’s name-tag tattoo.

The ember fades, and Crazy Larry dissolves into the darkness.

Greg Bardsley is a writer based in the San Francisco Bay Area. He's worked as a meat-packer, U-Haul grunt, crime reporter, speechwriter and ghostwriter. His crime fiction has appeared in Plots with Guns, Out of the Gutter, Storyglossia, Pulp Pusher, Thuglit and Demolition. This summer, look for his fiction in the anthologies, Sex, Thugs & Rock-n-Roll and Uncage Me .

Visit him at http://gregbardsley.wordpress.com/

STORY COPYRIGHT 2009 by GREG BARDSLEY
PHOTOGRAPHS FOR ISSUE 5 BY THEE MOST EXALTED POTENTATE OF LOVE (USED WITH PERMISSION)